Musical Instrument
Chinese Zithers
2010 SOLD 3.8 M RMB yuan including premium
PRE SALE DISCUSSION
It is unique, and it could even be considered unbelievable, to find on the market a musical instrument more than one thousand years old. Yet the Chinese zither for sale by Poly International Auction on June 4 in Beijing is dated to the Tang Dynasty or to the period of anarchy known as the Five Dynasties that followed the fall of the Tang.
This is a guqin (ancient stringed instrument), and more specifically one of its most common variants, the qixianqin (seven-stringed instrument). 1.18 m high, 19 cm wide, it is close to the zither by its flat sound box, 5 cm deep only. It is lacquered in brown, with Chinese inscriptions on the back.
The music goes back to immemorial time, and our time has not the privilege of harmony and refinement. The guqin was the instrument of the wise men, and is often associated with Confucius.
This instrument is estimated 2.8 million RMB.
POST SALE COMMENT
The oldest of the four string instruments of the sale has been sold 3.8 MRMB including premium. This is the lot which I described in my article.
A little more recent, a qin from Song period was sold 5.8 MRMB. Still closer to our time, a Yuan instrument got 2.5 MRMB and a Ming one 5 MRMB. These prices include premium.
Without being an expert in Chinese sales, I think that this set was exceptional.
It is unique, and it could even be considered unbelievable, to find on the market a musical instrument more than one thousand years old. Yet the Chinese zither for sale by Poly International Auction on June 4 in Beijing is dated to the Tang Dynasty or to the period of anarchy known as the Five Dynasties that followed the fall of the Tang.
This is a guqin (ancient stringed instrument), and more specifically one of its most common variants, the qixianqin (seven-stringed instrument). 1.18 m high, 19 cm wide, it is close to the zither by its flat sound box, 5 cm deep only. It is lacquered in brown, with Chinese inscriptions on the back.
The music goes back to immemorial time, and our time has not the privilege of harmony and refinement. The guqin was the instrument of the wise men, and is often associated with Confucius.
This instrument is estimated 2.8 million RMB.
POST SALE COMMENT
The oldest of the four string instruments of the sale has been sold 3.8 MRMB including premium. This is the lot which I described in my article.
A little more recent, a qin from Song period was sold 5.8 MRMB. Still closer to our time, a Yuan instrument got 2.5 MRMB and a Ming one 5 MRMB. These prices include premium.
Without being an expert in Chinese sales, I think that this set was exceptional.
1111 The Water flowing over Jade
2014 unsold
After the Tang, no emperor had a greater role in the history of music than Huizong, the last emperor of the Northern Song dynasty.
Music, especially the variant of zither named qin, is associated with Confucius. Huizong reformed the musical liturgy and had made a very large number of qin. The culmination of his effort for modernizing the Confucianism was the creation of the Hall of Great Perfection or Dachengdian inaugurating the fourth era of the reign, Zhenghe, in 1111 according to our calendar.
The qin is a large lacquered instrument that is played by laying it horizontally on a table. The classic version includes seven strings and several points of harmony that accentuate the subtlety of the music.
Extremely important in Chinese culture, the qin is the first of the four treasures of the scholar, preceding Chinese go, calligraphy and ink painting. It is often dated and named.
On May 28 in Hong Kong , Christie's sells an imperial qin made for the Dachengdian in the fifth month of the first year of Zhenghe. Its name is inscribed as Qingliu Jiayu meaning the sound of water flowing over jade. It is estimated HK $ 7M.
Another qin made nine years later for the same emperor was sold in December 2010 by Poly for RMB yuan 137M including premium (U.S. $ 20.7 million according to the conversion rate of the time).
Music, especially the variant of zither named qin, is associated with Confucius. Huizong reformed the musical liturgy and had made a very large number of qin. The culmination of his effort for modernizing the Confucianism was the creation of the Hall of Great Perfection or Dachengdian inaugurating the fourth era of the reign, Zhenghe, in 1111 according to our calendar.
The qin is a large lacquered instrument that is played by laying it horizontally on a table. The classic version includes seven strings and several points of harmony that accentuate the subtlety of the music.
Extremely important in Chinese culture, the qin is the first of the four treasures of the scholar, preceding Chinese go, calligraphy and ink painting. It is often dated and named.
On May 28 in Hong Kong , Christie's sells an imperial qin made for the Dachengdian in the fifth month of the first year of Zhenghe. Its name is inscribed as Qingliu Jiayu meaning the sound of water flowing over jade. It is estimated HK $ 7M.
Another qin made nine years later for the same emperor was sold in December 2010 by Poly for RMB yuan 137M including premium (U.S. $ 20.7 million according to the conversion rate of the time).
1575 A Viola da Gamba from Brescia
2010 SOLD 540 K$ including premium
PRE SALE DISCUSSION
This piece is neither a big violin nor a small cello: it is a viola. It can possibly also be used as a viola da gamba, a word of Italian origin meaning that it has to be held on the lap or between the legs, unlike the violin.
Its earliness is assessed by the fact that it has only four strings, and is confirmed by a dendrochronology test mentioned by the catalog of Christie's. Its resemblance to the violin is typical of the sixteenth century Italian viola. It is illustrated in the press release shared by AuctionPublicity.
Its dating to 1575 is consistent with its label identifying the instrument maker Gasparo da Salo, working in Brescia, who was the best viola manufacturer in his time. Not far away, in Cremona, Andrea Amati was already working to perfect the violin.
This instrument is for sale in New York on April 28. It is estimated $ 250K.
POST SALE COMMENT
This viola had been used by a professional, which is an assurance of its good condition. It was better than its estimate, and was sold 540 K $ including premium.
The other top lot of the sale got the same price, 540 K $ including premium. It was a violin made by Giovanni Battista Guadagnini in Milan around 1753. It had been estimated $ 350K.
This piece is neither a big violin nor a small cello: it is a viola. It can possibly also be used as a viola da gamba, a word of Italian origin meaning that it has to be held on the lap or between the legs, unlike the violin.
Its earliness is assessed by the fact that it has only four strings, and is confirmed by a dendrochronology test mentioned by the catalog of Christie's. Its resemblance to the violin is typical of the sixteenth century Italian viola. It is illustrated in the press release shared by AuctionPublicity.
Its dating to 1575 is consistent with its label identifying the instrument maker Gasparo da Salo, working in Brescia, who was the best viola manufacturer in his time. Not far away, in Cremona, Andrea Amati was already working to perfect the violin.
This instrument is for sale in New York on April 28. It is estimated $ 250K.
POST SALE COMMENT
This viola had been used by a professional, which is an assurance of its good condition. It was better than its estimate, and was sold 540 K $ including premium.
The other top lot of the sale got the same price, 540 K $ including premium. It was a violin made by Giovanni Battista Guadagnini in Milan around 1753. It had been estimated $ 350K.
1659 The Tyrolean Violin
2011 SOLD 205 K£ including premium
PRE SALE DISCUSSION
The violin was long a specialty of Italy, with two main centers of production, Brescia and Cremona, both in Lombardy.The very skilled Nicolo Amati assured the supremacy of Cremona, where he had two famous followers, Stradivari andGuarneri.
This type of instrument had great qualities that destined it to spread throughout Europe. The Austrian Jacob Stainer, also a pupil of the Amati, is the earliest and most famous violin factor of the Austro-German school.
Nicolo Amati became the true inventor of the modern violin when he was able to increase the power of sound. Stainerleft Cremona for the region of Innsbruck in 1650, too early for taking advantage of the Amati development. For thisreason, they are more enjoyed by connoisseurs of ancient chamber music than by concertists.
On March 8 in London, Sotheby's sells a violin by Stainer in superb condition. It has retained its original handwritten label with the date 1659. Considered for nearly a century as the most prestigious example of its class, it is nicknamed The King.
Such praises let assume that the estimate, £ 100K, is too low.
POST SALE COMMENT
The estimate was too low, as I had supposed. The violin was sold £ 205K including premium.
The violin was long a specialty of Italy, with two main centers of production, Brescia and Cremona, both in Lombardy.The very skilled Nicolo Amati assured the supremacy of Cremona, where he had two famous followers, Stradivari andGuarneri.
This type of instrument had great qualities that destined it to spread throughout Europe. The Austrian Jacob Stainer, also a pupil of the Amati, is the earliest and most famous violin factor of the Austro-German school.
Nicolo Amati became the true inventor of the modern violin when he was able to increase the power of sound. Stainerleft Cremona for the region of Innsbruck in 1650, too early for taking advantage of the Amati development. For thisreason, they are more enjoyed by connoisseurs of ancient chamber music than by concertists.
On March 8 in London, Sotheby's sells a violin by Stainer in superb condition. It has retained its original handwritten label with the date 1659. Considered for nearly a century as the most prestigious example of its class, it is nicknamed The King.
Such praises let assume that the estimate, £ 100K, is too low.
POST SALE COMMENT
The estimate was too low, as I had supposed. The violin was sold £ 205K including premium.
music from brescia to cremona
2015 unsold
Invented in the sixteenth century, the violin was originally a secondary instrument to be used for the dance. The luthiers in Brescia gradually discovered the huge potential of improvement of the violin, by acting on the shape of body and holes and on the quality and robustness of wood. Venice, the city of the great feasts, actively supported this development.
Giovanni Paolo Maggini moved to Brescia in 1580 where he learned his craft from Gasparo da Salo. He is one of the luthiers who ensured the success of the violin as a concert instrument, superseding the viola and the viola da gamba.
On May 11 in London, Bonhams sells at lot 210 a violin that had long been attributed to Maggini.
The analysis by dendrochronology shows that its woods were cut in 1669 and 1671. The label inscribed to Maggini, who died in 1630 or 1631, is apocryphal or refers to an unlikely extension of activity of his workshop.
This later dating is actually an advantage because this instrument was made in the period when the quality of the wood enabled to execute in Cremona the best violins of all time. Its sound and power are the result of Maggini's design improved by the know how of the luthiers of Cremona in the last years of the seventeenth century. Experts are tempted to compare it with the work of Andrea Guarneri.
I invite you to play the video shared and commented by Bonhams, in which the violin is played by the late prodigy Edith Volckaert.
Giovanni Paolo Maggini moved to Brescia in 1580 where he learned his craft from Gasparo da Salo. He is one of the luthiers who ensured the success of the violin as a concert instrument, superseding the viola and the viola da gamba.
On May 11 in London, Bonhams sells at lot 210 a violin that had long been attributed to Maggini.
The analysis by dendrochronology shows that its woods were cut in 1669 and 1671. The label inscribed to Maggini, who died in 1630 or 1631, is apocryphal or refers to an unlikely extension of activity of his workshop.
This later dating is actually an advantage because this instrument was made in the period when the quality of the wood enabled to execute in Cremona the best violins of all time. Its sound and power are the result of Maggini's design improved by the know how of the luthiers of Cremona in the last years of the seventeenth century. Experts are tempted to compare it with the work of Andrea Guarneri.
I invite you to play the video shared and commented by Bonhams, in which the violin is played by the late prodigy Edith Volckaert.
1679 The Hellier Stradivarius Violin
2022 unsold
The career of Antonio Stradivari, which spanned seven decades, is a great example of continuous progress in an achieved quest for perfection.
He probably began as an apprentice to Nicolo Amati in his home town of Cremona in Lombardy which he will not leave. He started experimenting with modified sizes of the violin in the lifetime of his master.
Stradivari's breakthrough occurred around 1679 when he was in his mid thirties, five years before Nicola's death. Amidst shorter violins, he made an early masterpiece with an increased volume : 35.7 cm length of back in one piece of maple, 17 cm upper bouts, 11.5 cm middle bouts, 29 cm lower bouts. The position and form of the holes is also departing from the standards while the symmetry of the proportions is still under the influence of Amati.
This instrument is inlaid of a decorative pattern of pearl shaped ivory and of decorative flowers and vines etched in the wood, executed by the master as evidenced by autograph preparatory drawings. It is considered by an expert from the Smithsonian as the best preserved decorated stradivarius from no more that a dozen examples in existence. The fully preserved varnish is an unprecedented lustrous golden-orange over a glowing golden ground.
Considered as the finest stradivarius violin from that transition period, it is believed that this highly finished prototype was kept by Stradivari for four decades or more until he sold it to a Mr Hellier.
The Hellier stradivarius violin is estimated £ 6M for sale by Christie's on July 7, 2022, lot 40.
He probably began as an apprentice to Nicolo Amati in his home town of Cremona in Lombardy which he will not leave. He started experimenting with modified sizes of the violin in the lifetime of his master.
Stradivari's breakthrough occurred around 1679 when he was in his mid thirties, five years before Nicola's death. Amidst shorter violins, he made an early masterpiece with an increased volume : 35.7 cm length of back in one piece of maple, 17 cm upper bouts, 11.5 cm middle bouts, 29 cm lower bouts. The position and form of the holes is also departing from the standards while the symmetry of the proportions is still under the influence of Amati.
This instrument is inlaid of a decorative pattern of pearl shaped ivory and of decorative flowers and vines etched in the wood, executed by the master as evidenced by autograph preparatory drawings. It is considered by an expert from the Smithsonian as the best preserved decorated stradivarius from no more that a dozen examples in existence. The fully preserved varnish is an unprecedented lustrous golden-orange over a glowing golden ground.
Considered as the finest stradivarius violin from that transition period, it is believed that this highly finished prototype was kept by Stradivari for four decades or more until he sold it to a Mr Hellier.
The Hellier stradivarius violin is estimated £ 6M for sale by Christie's on July 7, 2022, lot 40.
1682 The Grand Amati
2012 SOLD 300 K£ including premium
PRE SALE DISCUSSION
The Amati family made the glory of Cremona, a small town in the Po valley. The founder of the dynasty, Andrea Amati, was one of the inventors of the violin. His grandson Nicolo brought considerable improvements to this instrument just at the time when it really began to prevail within the orchestras.
Nicolo Amati had an enormous influence, first on Stainer and then on Stradivarius and Guarnerius.
He had something else in common with Stradivarius: he worked until an old age. The Amati violin for sale on March 6 in London by Sotheby's is dated 1682, while the master was 86.
This violin is a "grand" Amati (i grandi violini Amati), the most prestigious model of the master. It is made of spruce from the Alps, with a beautiful golden yellow varnish which is typical of his productions.
It is estimated £ 250K. Here is the link to the catalog.
POST SALE COMMENT
This instrument was sold £ 300K including premium, in the region of its lower estimate.
The Amati family made the glory of Cremona, a small town in the Po valley. The founder of the dynasty, Andrea Amati, was one of the inventors of the violin. His grandson Nicolo brought considerable improvements to this instrument just at the time when it really began to prevail within the orchestras.
Nicolo Amati had an enormous influence, first on Stainer and then on Stradivarius and Guarnerius.
He had something else in common with Stradivarius: he worked until an old age. The Amati violin for sale on March 6 in London by Sotheby's is dated 1682, while the master was 86.
This violin is a "grand" Amati (i grandi violini Amati), the most prestigious model of the master. It is made of spruce from the Alps, with a beautiful golden yellow varnish which is typical of his productions.
It is estimated £ 250K. Here is the link to the catalog.
POST SALE COMMENT
This instrument was sold £ 300K including premium, in the region of its lower estimate.
1684 Croall McEwen Violin
2017 SOLD for £ 1.92M by Ingles and Hayday
Stradivari's breakthrough occurred around 1679 when he was in his mid thirties, five years before Nicola's death. Amidst shorter violins, he made an early masterpiece now designated as the Hellier, with an increased volume : 35.7 cm length of back in one piece of maple, 17 cm upper bouts, 11.5 cm middle bouts, 29 cm lower bouts. The position and form of the holes is also departing from the standards while the symmetry of the proportions is still under the influence of Amati. The Hellier passed at Christie's on July 7, 2022, lot 40.
On March 28, 2017, Ingles and Hayday sold for £ 1.92M from a lower estimate of £ 1.3M a stradivarius violin, lot 28. The instrument bears an original label inscribed 'Antonius Stradiuarius Cremonensis Faciebat Anno 1684' and presents all the characteristics of this very important period which launched the career of the master then 40 years old.
This violin had surfaced in the mid-1880s in the very active musical circles in Edinburgh and is now identified as the Ex Croall McEwen specimen. Used regularly in concert in the last thirty years, it offers important references in discography from 1985 to 1990 with the young soloist Frank Peter Zimmermann.
Please watch the video shared by the auction house:
On March 28, 2017, Ingles and Hayday sold for £ 1.92M from a lower estimate of £ 1.3M a stradivarius violin, lot 28. The instrument bears an original label inscribed 'Antonius Stradiuarius Cremonensis Faciebat Anno 1684' and presents all the characteristics of this very important period which launched the career of the master then 40 years old.
This violin had surfaced in the mid-1880s in the very active musical circles in Edinburgh and is now identified as the Ex Croall McEwen specimen. Used regularly in concert in the last thirty years, it offers important references in discography from 1985 to 1990 with the young soloist Frank Peter Zimmermann.
Please watch the video shared by the auction house:
The 'Ex-Croall; McEwen' violin by Antonio Stradivari, 1684, will be the star lot in our March auction. https://t.co/fcCBnJwhyK #violin pic.twitter.com/vya7fsGfL4
— Ingles & Hayday (@InglesHayday) January 27, 2017
1685 composite Violin by Stradivari
2023 SOLD for £ 1.8M by Ingles and Hayday
On March 28, 2023, Ingles and Hayday sells the collection of the dealer Norman Rosenberg from which a previously unknown composite Stradivari violin is surfacing.
The back has been prepared ca 1685. It is unusually large for the period in length and width. This instrument using a scroll made by Stradivari ca 1670 may have been a prototype before the long pattern violins of the 1690s.
The front was made ca 1692, probably in the Stradivari workshop, either for completing a work left unfinished or for replacing a damaged part. The former assumption is consistent with the hypothesis that it had been a prototype.
It was sold for £ 1.8M from a lower estimate of £ 500K, lot 76.
The back has been prepared ca 1685. It is unusually large for the period in length and width. This instrument using a scroll made by Stradivari ca 1670 may have been a prototype before the long pattern violins of the 1690s.
The front was made ca 1692, probably in the Stradivari workshop, either for completing a work left unfinished or for replacing a damaged part. The former assumption is consistent with the hypothesis that it had been a prototype.
It was sold for £ 1.8M from a lower estimate of £ 500K, lot 76.
1696 Stradivarius Violin
2013 SOLD for £ 1.4M by Tarisio
In the 1690s, musicians were demanding violins with more powerful sound, and Antonio Stradivari endeavored to meet their request. He then maintained two product lines. The subtlety of the art of violin making is extreme : the difference in length between Long Strads and classical violins does not exceed 5 mm.
On December 18, 2013, Tarisio sold for £ 1.4M a violin made by Stradivari in Cremona, dated 1696 by its label.
This is a fine example of violin with a normal back length of 35.4 cm. It is similar in style to the Molitor of 1697 which was sold for $ 3.6 million by Tarisio on October 14, 2010. Its back is in flamed maple, a recognizable variety which was also used on a 1696 viola and on the 1698 Baron Knoop violin.
Great instruments do not stay in the showcases and their careers with the musicians are often full of adventures and anecdotes. The violin for sale retains its original label, but its provenance is unknown until its authentication by an expert in 2000.
It was acquired soon afterward by a young soloist, and was stolen in 2010 in London in a railway station cafe. It was retrieved undamaged a few months ago, but its owner could not have waited for so long. She now has another Stradivarius, which explains why her former instrument enters the market.
Please watch the video shared by ITV where the violin is introduced by a manager of the auction house :
On December 18, 2013, Tarisio sold for £ 1.4M a violin made by Stradivari in Cremona, dated 1696 by its label.
This is a fine example of violin with a normal back length of 35.4 cm. It is similar in style to the Molitor of 1697 which was sold for $ 3.6 million by Tarisio on October 14, 2010. Its back is in flamed maple, a recognizable variety which was also used on a 1696 viola and on the 1698 Baron Knoop violin.
Great instruments do not stay in the showcases and their careers with the musicians are often full of adventures and anecdotes. The violin for sale retains its original label, but its provenance is unknown until its authentication by an expert in 2000.
It was acquired soon afterward by a young soloist, and was stolen in 2010 in London in a railway station cafe. It was retrieved undamaged a few months ago, but its owner could not have waited for so long. She now has another Stradivarius, which explains why her former instrument enters the market.
Please watch the video shared by ITV where the violin is introduced by a manager of the auction house :
1708 A Cello in Milan
2014 unsold
PRE SALE DISCUSSION
Despite the high quality of its productions, Cremona did not keep the exclusive manufacture of upscale stringed instruments. By the mid-seventeenth century, Stainer transfers to Tyrol the Italian know-how.
Around 1690, Milan became sustainably the main competitor of Cremona. Much later the big city will become one of the most important locations in the career of Guadagnini.
Giovanni Grancino is the best among the earliest makers in Milan. He is at first inspired by Niccolo Amati. His instruments are varied: violas, violins and basses, and his cellos are famous for their clarity of sound. He developed his own recipe of a pale yellow varnish.
A cello by Grancino is estimated above £ 250K, for sale online from London by Amati on March 25. It has a Grancino label dated 1708, one year before the death of the master. The dendrochronological analysis indicates that the woods were taken twenty years before that date.
Despite the high quality of its productions, Cremona did not keep the exclusive manufacture of upscale stringed instruments. By the mid-seventeenth century, Stainer transfers to Tyrol the Italian know-how.
Around 1690, Milan became sustainably the main competitor of Cremona. Much later the big city will become one of the most important locations in the career of Guadagnini.
Giovanni Grancino is the best among the earliest makers in Milan. He is at first inspired by Niccolo Amati. His instruments are varied: violas, violins and basses, and his cellos are famous for their clarity of sound. He developed his own recipe of a pale yellow varnish.
A cello by Grancino is estimated above £ 250K, for sale online from London by Amati on March 25. It has a Grancino label dated 1708, one year before the death of the master. The dendrochronological analysis indicates that the woods were taken twenty years before that date.
1716 The Carillons of the Qing
2019 SOLD for € 670K including premium
The Chinese music, based on a twelve-tone scale, was codified at the time of Confucius. The sound depends on the material of the instrument. The bronze bells or bianzhong constitute chimes. They are suspended from porticoes and struck with mallets. Within a carillon all bells have the same height and it is the thickness of the metal that generates the variety of tones.
Music is the supreme art that offers a perfect interpretation of all elements of nature including yin and yang. The imperial bianzhong are dated, as are the guqin.
In the Qing era, an imperial carillon is composed of sixteen bells including four repeated tones in high and low octaves. The gilt bronze bells are decorated with dragons in high relief.
On May 27, 2009, Christie's sold for HK $ 45.5M including premium a pair of 30 cm high bells giving the 4th and 11th notes, dated Kangxi wushisi nian shi corresponding to 1715 CE.
On December 16 in Paris (Hôtel Drouot), Tessier et Sarrou sell a 21 cm high bell dated Kangxi bing shen nian zhi corresponding to 1716 CE. It is set for the huang zhong which is the basic tone of the scale. The dragons are imperial, with five claws per paw.
Music is the supreme art that offers a perfect interpretation of all elements of nature including yin and yang. The imperial bianzhong are dated, as are the guqin.
In the Qing era, an imperial carillon is composed of sixteen bells including four repeated tones in high and low octaves. The gilt bronze bells are decorated with dragons in high relief.
On May 27, 2009, Christie's sold for HK $ 45.5M including premium a pair of 30 cm high bells giving the 4th and 11th notes, dated Kangxi wushisi nian shi corresponding to 1715 CE.
On December 16 in Paris (Hôtel Drouot), Tessier et Sarrou sell a 21 cm high bell dated Kangxi bing shen nian zhi corresponding to 1716 CE. It is set for the huang zhong which is the basic tone of the scale. The dragons are imperial, with five claws per paw.
Cette exceptionnelle cloche impériale bianzhong de la dynastie Qing fait sa première apparition sur le marché de l'art depuis 1884 !
— Drouot (@Drouot) November 29, 2019
À découvrir dès aujourd'hui et jusqu'au 5 décembre dans l'exposition "Oeuvres Choisies" à Drouot.
En vente chez @TSarrou le 16 décembre. pic.twitter.com/V3D8n2vZrc
Cloche rituelle bianzhong
— Tessier & Sarrou (@TSarrou) December 5, 2019
Le Lundi 16 Décembre, à @Drouot, en salle 16 pic.twitter.com/UConMoiiWr
1717 A CEllo made by Stradivari
2008 unsold
PRE SALE DISCUSSION
The autumn sale of Tarisio will take place in New York and London from 21 to 23 October. The auction house specializes in musical instruments.
Upon entering their site, I was attracted by the announcement of the masterpiece of this sale, a cello made by Stradivari in 1717. Its last owner was Amaryllis Fleming. The instrument comes from her succession and will be sold for the benefit of the Royal College of Music in London.
The auction house tells us that the date of 1717 is in the best period for Stradivari, and that the model of this cello is the same as those of Yo Yo-Ma and Rostropovich. In this area where each instrument is tracked by the finest musicians on the planet, this detail is important, especially because it would remain in the world only 60 cellos of the master, according to Tarisio. This one was reworked in the mid-eighteenth century by the Spanish luthier José Contreras.
The estimate is to be asked to the auction house, but its site is so good that there are all orders of magnitude that can be searched in this area. Indeed, two years ago, Tarisio has listed hundreds of price results of instruments carried out at auction since 1980 by them and by their main competitors.
Leaving the catalogue to view the database, we see that Tarisio got $ 950 K of a Stradivari violin made before 1700. A good violin of the master is worth between 1 and 2 million $.
In the most recent results not yet visible at Tarisio, Christie's sold in New York a Stradivari violin at $ 3.5 million in New York on May 16, 2006, and another one $ 2.7 million on April 2, 2007. A cello from 1692 appears to be the last Stradivari of this type that was sold at auction. Christie's had obtained £ 550 K of that one in London on March 17, 1999.
Now that the price ranges are established, let the passion of musicians being excited or not on the sonic qualities of the instrument, because that is what makes the difference in the prices.
The autumn sale of Tarisio will take place in New York and London from 21 to 23 October. The auction house specializes in musical instruments.
Upon entering their site, I was attracted by the announcement of the masterpiece of this sale, a cello made by Stradivari in 1717. Its last owner was Amaryllis Fleming. The instrument comes from her succession and will be sold for the benefit of the Royal College of Music in London.
The auction house tells us that the date of 1717 is in the best period for Stradivari, and that the model of this cello is the same as those of Yo Yo-Ma and Rostropovich. In this area where each instrument is tracked by the finest musicians on the planet, this detail is important, especially because it would remain in the world only 60 cellos of the master, according to Tarisio. This one was reworked in the mid-eighteenth century by the Spanish luthier José Contreras.
The estimate is to be asked to the auction house, but its site is so good that there are all orders of magnitude that can be searched in this area. Indeed, two years ago, Tarisio has listed hundreds of price results of instruments carried out at auction since 1980 by them and by their main competitors.
Leaving the catalogue to view the database, we see that Tarisio got $ 950 K of a Stradivari violin made before 1700. A good violin of the master is worth between 1 and 2 million $.
In the most recent results not yet visible at Tarisio, Christie's sold in New York a Stradivari violin at $ 3.5 million in New York on May 16, 2006, and another one $ 2.7 million on April 2, 2007. A cello from 1692 appears to be the last Stradivari of this type that was sold at auction. Christie's had obtained £ 550 K of that one in London on March 17, 1999.
Now that the price ranges are established, let the passion of musicians being excited or not on the sonic qualities of the instrument, because that is what makes the difference in the prices.
1731 The Cumulated Experience of Antonio Stradivari
2014 unsold
The activity of Antonio Stradivari spans seven full decades up to his death in 1737. He was assisted by his sons in his later career but there is no doubt that he alone remained the guarantor of his acquired experience.
The use of dense woods subsequent to a series of cold years is one of the causes of the superiority of the stradivarius. The best instruments of his last years have thickened edges, corners and chamfers which provide a similar effect. The exact role of the varnish in the sound of his instruments is more controversial.
Christie's sells soon in New York the Kreutzer by a sealed bid process in two rounds closing on 12 and 18 June with a starting bid of $ 7.5 M.
According to its characteristics, this violin was made around 1731, although a label which is not apocryphal is dated 1720. It is in great condition, including a majority of its original red varnish.
The history of this violin has been linked during nearly a century with the Paris Conservatory, founded in 1795. The French violinist Rodolphe Kreutzer, remembered for the sonata that Beethoven dedicated to him, was a professor therein. He acquired this instrument circa 1795 and kept it until his death in 1831.
Kreutzer bequeathed it to his best student, the Belgian violonist Joseph Massart, who taught at the Conservatory for nearly half a century and enjoyed to loan the violin for prestigious performances. Massart was the teacher of Kreisler among many other students.
In 1920, 28 years after the death of Massart, the violin was purchased by Senator and Mrs. Clark in favor of their daughter Huguette, the famous reclusive heiress who owned it until her death 91 years later.
The loyalty of its successive owners to the Kreutzer violin is due to its outstanding sound and tonal qualities.
I invite you to play the video shared by Christie's :
The use of dense woods subsequent to a series of cold years is one of the causes of the superiority of the stradivarius. The best instruments of his last years have thickened edges, corners and chamfers which provide a similar effect. The exact role of the varnish in the sound of his instruments is more controversial.
Christie's sells soon in New York the Kreutzer by a sealed bid process in two rounds closing on 12 and 18 June with a starting bid of $ 7.5 M.
According to its characteristics, this violin was made around 1731, although a label which is not apocryphal is dated 1720. It is in great condition, including a majority of its original red varnish.
The history of this violin has been linked during nearly a century with the Paris Conservatory, founded in 1795. The French violinist Rodolphe Kreutzer, remembered for the sonata that Beethoven dedicated to him, was a professor therein. He acquired this instrument circa 1795 and kept it until his death in 1831.
Kreutzer bequeathed it to his best student, the Belgian violonist Joseph Massart, who taught at the Conservatory for nearly half a century and enjoyed to loan the violin for prestigious performances. Massart was the teacher of Kreisler among many other students.
In 1920, 28 years after the death of Massart, the violin was purchased by Senator and Mrs. Clark in favor of their daughter Huguette, the famous reclusive heiress who owned it until her death 91 years later.
The loyalty of its successive owners to the Kreutzer violin is due to its outstanding sound and tonal qualities.
I invite you to play the video shared by Christie's :
1740 The Harpsichord with Three Keyboards
2014 Unsold
PRE SALE DISCUSSION
In the eighteenth century the German harpsichords are inspired by the organs, more appreciated at that time in that country.
Working in Hamburg, Hieronymus Albrecht Hass is the only craftsman to develop a three-manual harpsichord.Coupling keyboards offers to the performer a better choice of notes. Only one three-keyboard instrument, made in 1740, survived. Perhaps no other one had been made. Copies were realized a long time afterward.
Its furniture nearly three meters long rests on seven feet with spacers and is richly decorated. The instrument altogether unique and monumental creates a very strong sound and an extension of five octaves. It was a real technological feat for its time.
This historic harpsichord is for sale in Paris on March 25 by AuctionArt Rémy Le Fur.
It was owned by the harpsichordist Rafael Puyana who died one year ago. I invite you to play the video shared on YouTube in 2008 by hauptwerkian wherein Puyana is playing a Scarlatti sonata with this instrument.
In the eighteenth century the German harpsichords are inspired by the organs, more appreciated at that time in that country.
Working in Hamburg, Hieronymus Albrecht Hass is the only craftsman to develop a three-manual harpsichord.Coupling keyboards offers to the performer a better choice of notes. Only one three-keyboard instrument, made in 1740, survived. Perhaps no other one had been made. Copies were realized a long time afterward.
Its furniture nearly three meters long rests on seven feet with spacers and is richly decorated. The instrument altogether unique and monumental creates a very strong sound and an extension of five octaves. It was a real technological feat for its time.
This historic harpsichord is for sale in Paris on March 25 by AuctionArt Rémy Le Fur.
It was owned by the harpsichordist Rafael Puyana who died one year ago. I invite you to play the video shared on YouTube in 2008 by hauptwerkian wherein Puyana is playing a Scarlatti sonata with this instrument.
1742 the later cremonese school
2017 unsold
The luthiers of Cremona have made perfect the art of violin making with several workshops working in competition or in cooperation. Antonio Stradivari dies in 1737 at about 93 years old. His sons do not have his skills.
The best continuator of the tradition of Cremona and the only one who is still innovating is Guarneri del Gesu, very active until his untimely death in 1744. Guadagnini who opens a workshop in Piacenza circa 1742 may have been previously an apprentice of one of the last great luthiers of Cremona.
Carlo Bergonzi also works in Cremona, probably in the vicinity of Vincenzo Rugeri. In spite of his long career very few instruments are attributed to him, which suggests that he was a subcontractor to other masters. He was 54 years old when Stradivari died. He knew how to make violins of a rich sound intermediate between stradivarius and del Gesu with a thick high-quality varnish.
On May 11 in New York, Tarisio sells as lot 229 an exceptional later violin by Carlo Bergonzi on which the experts recognize the participation of his son Michel'Angelo. Its date is estimated around 1740-1745 and a label bears the plausible date of 1742. Here is the link to the website of the auction house.
The best continuator of the tradition of Cremona and the only one who is still innovating is Guarneri del Gesu, very active until his untimely death in 1744. Guadagnini who opens a workshop in Piacenza circa 1742 may have been previously an apprentice of one of the last great luthiers of Cremona.
Carlo Bergonzi also works in Cremona, probably in the vicinity of Vincenzo Rugeri. In spite of his long career very few instruments are attributed to him, which suggests that he was a subcontractor to other masters. He was 54 years old when Stradivari died. He knew how to make violins of a rich sound intermediate between stradivarius and del Gesu with a thick high-quality varnish.
On May 11 in New York, Tarisio sells as lot 229 an exceptional later violin by Carlo Bergonzi on which the experts recognize the participation of his son Michel'Angelo. Its date is estimated around 1740-1745 and a label bears the plausible date of 1742. Here is the link to the website of the auction house.
May 2017 is live! The highlight of this sale is a #Bergonzi violin known as the ‘ex-Appleby' Bidding opens April 25 https://t.co/nrTj9DA6X1 pic.twitter.com/54Eycxq6wX
— Tarisio (@TarisioAuctions) April 19, 2017
1751 Milan Violin by Guadagnini
2021 withdrawn
Guadagnini had extended his know-how during his first phase in Piacenza. A luthier has to master wood, coating and shape. His violins are slightly widened, with sharp angles in the sides. His highly effective reddish-brown varnish, altogether brilliant, deep and transparent, provides a strong and harmonious sound.
Logically interested in a career at Milan, he establishes his business in the big city in 1749, a free place for his skills because the tradition of high end violins had not continued after Grancino.
A violin made in Milan in 1753 was sold for $ 1.25M by Tarisio on October 13, 2016. It had been carefully maintained despite a frequent use in concert and is in an excellent condition. The Berkova violin, made in 1755, was sold for $ 720K by Tarisio on May 2, 2013, lot 258, although the original coating was not complete.
An early violin from the Milan period is estimated € 1M for sale by Tarisio in Berlin on October 25, 2021, lot 143. It keeps its original label reading : "Joannes Baptista Guadagnini Placentinus fecit Mediolani 1751". Its outstanding tonal qualities are highlighted in the video shared by the auction house.
It is described as a pure example from the finest type of instruments made by Guadagnini in Milan. The volutes of the scroll are slightly shallowed, which is a specific design improvement. It is in excellent condition with top class wood and deep red varnish. This specimen has been owned in the 19th century by the pedagogue and quartet leader Jean-Pierre Maurin.
Logically interested in a career at Milan, he establishes his business in the big city in 1749, a free place for his skills because the tradition of high end violins had not continued after Grancino.
A violin made in Milan in 1753 was sold for $ 1.25M by Tarisio on October 13, 2016. It had been carefully maintained despite a frequent use in concert and is in an excellent condition. The Berkova violin, made in 1755, was sold for $ 720K by Tarisio on May 2, 2013, lot 258, although the original coating was not complete.
An early violin from the Milan period is estimated € 1M for sale by Tarisio in Berlin on October 25, 2021, lot 143. It keeps its original label reading : "Joannes Baptista Guadagnini Placentinus fecit Mediolani 1751". Its outstanding tonal qualities are highlighted in the video shared by the auction house.
It is described as a pure example from the finest type of instruments made by Guadagnini in Milan. The volutes of the scroll are slightly shallowed, which is a specific design improvement. It is in excellent condition with top class wood and deep red varnish. This specimen has been owned in the 19th century by the pedagogue and quartet leader Jean-Pierre Maurin.
1755 Guadagnini in Milan
2013 SOLD 720 K$ including premium
The golden age of Italian violinmakers could be stopped around 1730 if there had not been Giovanni Battista Guadagnini. He was one of the ablest and most original of them, not related to any school and changing as often of style than of location.
Taking a special care in the design of the instrument, he was using a unique and inimitable formula of red-brown varnish, altogether brilliant, deep and transparent. After those from the Cremona masters, Guadagnini's violins are among the best of all time in terms of sound.
He was born near Piacenza, where he made his professional debut. Logically interested in a career at Milan, he arrived in the big city in 1749, a favorable time because the tradition of luxury violins had declined after the closing of the Grancino workshop.
Made in 1755, the Berkova is one of the best preserved and finest among the Milanese Guadagnini violins. It is typical of the care taken by the young master to any detail of shape and to the selection of woods, and the wonderful varnish remained intact over large surfaces.
The Berkova is for sale on May 2 in New York by Tarisio. Here is the link to the blog post shared by the auction house.
POST SALE COMMENT
Very good price for this Guadagnini : $ 625K before fees.
Taking a special care in the design of the instrument, he was using a unique and inimitable formula of red-brown varnish, altogether brilliant, deep and transparent. After those from the Cremona masters, Guadagnini's violins are among the best of all time in terms of sound.
He was born near Piacenza, where he made his professional debut. Logically interested in a career at Milan, he arrived in the big city in 1749, a favorable time because the tradition of luxury violins had declined after the closing of the Grancino workshop.
Made in 1755, the Berkova is one of the best preserved and finest among the Milanese Guadagnini violins. It is typical of the care taken by the young master to any detail of shape and to the selection of woods, and the wonderful varnish remained intact over large surfaces.
The Berkova is for sale on May 2 in New York by Tarisio. Here is the link to the blog post shared by the auction house.
POST SALE COMMENT
Very good price for this Guadagnini : $ 625K before fees.
1760 The Red Varnish of Guadagnini
2012 unsold
PRE SALE DISCUSSION
The history of violins is dominated by Stradivari and Guarneri. However, many musicians have also chosen to work with instruments by Guadagnini.
From humble origin, Giovanni Battista Guadagnini worked successively in Piacenza, Milan, Parma and Turin. He assimilated and adapted the art of his illustrious predecessors and realized violins of excellent sound. He is considered as the last of the great Italian violin makers of the eighteenth century.
A luthier has to master wood, coating and shape. The best Guadagnini instruments have an inimitable red varnish at once brilliant and transparent.
A violin made at Parma by Guadagnini ca 1760 is estimated $ 400K, for sale by Christie's in New York on November 27. Here is the link to the catalog.
The history of violins is dominated by Stradivari and Guarneri. However, many musicians have also chosen to work with instruments by Guadagnini.
From humble origin, Giovanni Battista Guadagnini worked successively in Piacenza, Milan, Parma and Turin. He assimilated and adapted the art of his illustrious predecessors and realized violins of excellent sound. He is considered as the last of the great Italian violin makers of the eighteenth century.
A luthier has to master wood, coating and shape. The best Guadagnini instruments have an inimitable red varnish at once brilliant and transparent.
A violin made at Parma by Guadagnini ca 1760 is estimated $ 400K, for sale by Christie's in New York on November 27. Here is the link to the catalog.
1779 a viola for count cozio
2016 sold
Count Cozio di Salabue is passionate about violins and especially with the achievements from Cremona. His father owned an Amati. Aged 16 in 1771, the Piedmontese is in Turin for a military period. He meets Giovanni Battista Guadagnini at that time.
Guadagnini is the most effective designer of violins of his time but Cozio admires Stradivari. Guadagnini is looking for customers. He agrees in 1774 to work almost exclusively for Cozio. The young aristocrat designates his partner as the ultimate successor to Stradivari.
Guadagnini has the mood of a creator and not of an imitator. His new contract is in counter-employment for his designing skill. Cozio goes ahead and buys as early as 1775 to the heirs of Stradivari the violin in a sublime condition which will be later known as the Messiah.
The formal contract is broken in 1777 and Guadagnini can again diversify his production. A violin dated 1778 sold for $ 1.39M including premium by Tarisio on October 17, 2013 is a fine example of his personal art at the time of his better maturity.
Guadagnini continues in parallel to produce imitations of Stradivarius for the use of Cozio. He manages it with some freedom so that his Stradivarius models are not identifiable. These instruments are signed Joannes Baptista Guadagnini Cremonensis fecit Taurini on a label, although his only connection with Cremona is the arrangement with Cozio.
A viola by Guadagnini Cremonensis, dated 1779, is estimated £ 270K for sale by Ingles and Hayday on March 15 in London, lot 63. It is illustrated in the essay published by the auction house.
POST SALE COMMENT
This specific lot is announced as sold but no price is released. It was probably sold in post-sale.
Guadagnini is the most effective designer of violins of his time but Cozio admires Stradivari. Guadagnini is looking for customers. He agrees in 1774 to work almost exclusively for Cozio. The young aristocrat designates his partner as the ultimate successor to Stradivari.
Guadagnini has the mood of a creator and not of an imitator. His new contract is in counter-employment for his designing skill. Cozio goes ahead and buys as early as 1775 to the heirs of Stradivari the violin in a sublime condition which will be later known as the Messiah.
The formal contract is broken in 1777 and Guadagnini can again diversify his production. A violin dated 1778 sold for $ 1.39M including premium by Tarisio on October 17, 2013 is a fine example of his personal art at the time of his better maturity.
Guadagnini continues in parallel to produce imitations of Stradivarius for the use of Cozio. He manages it with some freedom so that his Stradivarius models are not identifiable. These instruments are signed Joannes Baptista Guadagnini Cremonensis fecit Taurini on a label, although his only connection with Cremona is the arrangement with Cozio.
A viola by Guadagnini Cremonensis, dated 1779, is estimated £ 270K for sale by Ingles and Hayday on March 15 in London, lot 63. It is illustrated in the essay published by the auction house.
POST SALE COMMENT
This specific lot is announced as sold but no price is released. It was probably sold in post-sale.
1863 A Quartet by Vuillaume
2016 SOLD for £ 960K including premium
Born into a family of luthiers, Jean-Baptiste Vuillaume worked in Paris as a seller and manufacturer of violins. He is the most skilled representative in this tradition of stringed instrument making which was a specialty of the town of Mirecourt in Lorraine since the early seventeenth century.
In the nineteenth century in Paris, the tendency of the cabinetmakers was for imitation and Vuillaume followed this trend with his instruments. He studied the solutions found by the great violin makers of Cremona and brought the same care in the choice of the wood.
Vuillaume already has an excellent reputation in 1855 when he purchases the stock of Luigi Tarisio who had died in the previous year. He now has in hand the 25 Stradivarius of Tarisio including the famous Messiah. He will gradually abandon trading to fully concentrate on production. His copies of the Messiah are the masterpieces of French lutherie.
On March 15 in London, Ingles & Hayday sells a quartet made in 1863 by Vuillaume, lot 177 estimated £ 600K. Here is the link to the press release.
The four instruments based on a model by Stradivari have been manufactured in a matching wood. They are nicknamed the Evangelists by reference to ebony figures below the bridge. Violins are St Jean and St Marc, St Mathieu is the viola and St Luc is the cello. It is remarkable that this set has not been separated. It is in excellent condition, including much of the original varnish.
I invite you to watch the video shared by the auction house :
In the nineteenth century in Paris, the tendency of the cabinetmakers was for imitation and Vuillaume followed this trend with his instruments. He studied the solutions found by the great violin makers of Cremona and brought the same care in the choice of the wood.
Vuillaume already has an excellent reputation in 1855 when he purchases the stock of Luigi Tarisio who had died in the previous year. He now has in hand the 25 Stradivarius of Tarisio including the famous Messiah. He will gradually abandon trading to fully concentrate on production. His copies of the Messiah are the masterpieces of French lutherie.
On March 15 in London, Ingles & Hayday sells a quartet made in 1863 by Vuillaume, lot 177 estimated £ 600K. Here is the link to the press release.
The four instruments based on a model by Stradivari have been manufactured in a matching wood. They are nicknamed the Evangelists by reference to ebony figures below the bridge. Violins are St Jean and St Marc, St Mathieu is the viola and St Luc is the cello. It is remarkable that this set has not been separated. It is in excellent condition, including much of the original varnish.
I invite you to watch the video shared by the auction house :
Menuhin's Bow
2010 SOLD 51.6 K£ including premium
PRE SALE DISCUSSION
The bowed string instruments give rise to two crafts, the luthier and the bow maker, which are typically performed by different masters. The virtuoso musician has to combine the excellence of both the violin and the bow.
Yehudi Menuhin was one of the last examples of child prodigies. He was 13 years old in 1929 when he was presented with a Stradivarius violin, the "Prince Khevenhüller". It is very likely that the bow for sale at Sotheby's in London on March 9, estimated £ 25K, was the piece provided to Menuhin with the Stradivarius. What is certain is that he used these two instruments together for the greater part of his exceptional career.
The bow consists of an octagonal stick mounted on a heel (the "frog") later made by WE Hill & Sons. The stick has the concave design developed by François-Xavier Tourte in the late eighteenth century. It is attributed to this master.
POST SALE COMMENT
The estimate was too low. The instruments that were used by great musicians sell well. Menuhin's bow was not devalued by the fact that the attribution to Tourte was not certain, or by the fact that the heel was made later. Here is the result including premium: 51.6 K £.
The bowed string instruments give rise to two crafts, the luthier and the bow maker, which are typically performed by different masters. The virtuoso musician has to combine the excellence of both the violin and the bow.
Yehudi Menuhin was one of the last examples of child prodigies. He was 13 years old in 1929 when he was presented with a Stradivarius violin, the "Prince Khevenhüller". It is very likely that the bow for sale at Sotheby's in London on March 9, estimated £ 25K, was the piece provided to Menuhin with the Stradivarius. What is certain is that he used these two instruments together for the greater part of his exceptional career.
The bow consists of an octagonal stick mounted on a heel (the "frog") later made by WE Hill & Sons. The stick has the concave design developed by François-Xavier Tourte in the late eighteenth century. It is attributed to this master.
POST SALE COMMENT
The estimate was too low. The instruments that were used by great musicians sell well. Menuhin's bow was not devalued by the fact that the attribution to Tourte was not certain, or by the fact that the heel was made later. Here is the result including premium: 51.6 K £.
1901 The Piano of the Jugendstil
2012 unsold
PRE SALE DISCUSSION
Around 1900, artists have a taste for a revival of decoration. In Germany, they find a sponsor in the person of Grand Duke Louis V of Hesse who has a modernist vision for the furnishings of his palace in Darmstadt.
This movement is called Jugendstil. Peter Behrens is active therein. The young architect built a house for artists inDarmstadt in 1901.
On April 19 in Munich, Von Zezschwitz sells an interesting collection of memories from the artistic community of Darmstadt.
The top lot, estimated € 350K, is the grand piano that equiped the music room of the Behrens house. It is an instrument from the Schiedmayer brand in Stuttgart in a marquetry by Woelfel, also in Stuttgart, specially commissioned by Behrens.
Its lovely decorations are typical of the research style of the time, with patterns of sunbeams and diamonds and, on the lid, a large eagle's wing inspired by the philosophy of Nietzsche. It is inlaid with mother of pearl, lapis lazuli,malachite and brass.
Here is the link to the catalog provided by LiveAuctioneers online auction platform.
Around 1900, artists have a taste for a revival of decoration. In Germany, they find a sponsor in the person of Grand Duke Louis V of Hesse who has a modernist vision for the furnishings of his palace in Darmstadt.
This movement is called Jugendstil. Peter Behrens is active therein. The young architect built a house for artists inDarmstadt in 1901.
On April 19 in Munich, Von Zezschwitz sells an interesting collection of memories from the artistic community of Darmstadt.
The top lot, estimated € 350K, is the grand piano that equiped the music room of the Behrens house. It is an instrument from the Schiedmayer brand in Stuttgart in a marquetry by Woelfel, also in Stuttgart, specially commissioned by Behrens.
Its lovely decorations are typical of the research style of the time, with patterns of sunbeams and diamonds and, on the lid, a large eagle's wing inspired by the philosophy of Nietzsche. It is inlaid with mother of pearl, lapis lazuli,malachite and brass.
Here is the link to the catalog provided by LiveAuctioneers online auction platform.
1910 A Piano between Louis XV and Art Déco
2015 SOLD for $ 550K including premium
A piano à queue that was sold for $ 480K including premium by Christie's on April 19, 2012 is now listed for sale by Sotheby's in New York on October 15, lot 123 estimated $ 300K.
In the mean time it had twice failed to sell at Christie's in London, on October 28, 2014 and March 11, 2015. In the next sale at Sotheby's it is included in a consistent group of 19th and early 20th century furniture that enables to expect a result most suited to this rare and interesting instrument.
Here is my 2012 discussion :
The work of François Linke is an important transition between classical and modern styles with regard to Parisian furniture.
In the late nineteenth century, cabinet makers copied the furniture of the previous century. Edouard Lièvre was the first to look for new paths. When he died in 1886, the Austrian-born Linke was already installed in Paris since five years.
Linke continues to be inspired by the eighteenth century, while adding much freedom in the details of the opulent shapes and of the ormolu decorations.
His work can be compared to that of his contemporaries in Nancy, Majorelle and Gallé. By the care taken in the beauty of wood, he is also one of the immediate predecessors of Art Déco.
The lot for sale is a grand piano by Erard cased by Linke in 1910 in a model identified as Piano Louis XV in his price list. It is inlaid with kingwood and satiné.The gilt bronze figures in rococo style are derived from the models by Léon Messagé, died in 1901, who had been one of Linke's most frequent collaborators.
In the mean time it had twice failed to sell at Christie's in London, on October 28, 2014 and March 11, 2015. In the next sale at Sotheby's it is included in a consistent group of 19th and early 20th century furniture that enables to expect a result most suited to this rare and interesting instrument.
Here is my 2012 discussion :
The work of François Linke is an important transition between classical and modern styles with regard to Parisian furniture.
In the late nineteenth century, cabinet makers copied the furniture of the previous century. Edouard Lièvre was the first to look for new paths. When he died in 1886, the Austrian-born Linke was already installed in Paris since five years.
Linke continues to be inspired by the eighteenth century, while adding much freedom in the details of the opulent shapes and of the ormolu decorations.
His work can be compared to that of his contemporaries in Nancy, Majorelle and Gallé. By the care taken in the beauty of wood, he is also one of the immediate predecessors of Art Déco.
The lot for sale is a grand piano by Erard cased by Linke in 1910 in a model identified as Piano Louis XV in his price list. It is inlaid with kingwood and satiné.The gilt bronze figures in rococo style are derived from the models by Léon Messagé, died in 1901, who had been one of Linke's most frequent collaborators.
1912-(1957) from ellis to elvis
2016 unsold
Elvis Presley lived in Memphis since the age of 13. The schoolboy did not miss the nights of gospel songs organized at Ellis Auditorium in the city. One can easily imagine this young guy admiring the grand piano on which W. C. Handy, Duke Ellington, Count Basie and Cab Calloway had played. He himself plays on that stage in 1955.
The success of Elvis is phenomenal from 1956. In early 1957, he establishes his residence at Graceland, 15 km away from downtown. By a coincidence of date the auditorium is reorganizing its furnishing in the same year. Elvis buys the piano to install it at a choice place in his music room.
The piano comes from Wm. Knabe which is a good brand. Its date of make derived from its serial number is 1912 but nothing is known of its history before the 1930s nor when it entered that auditorium which opened in 1924.
Elvis creates his own style. He wants a white instrument and has repainted this old piano which he will use until 1968. He put it away when Priscilla had plated in gold leaf for their wedding anniversary a Kimball piano purchased by Elvis in 1955.
Both instruments have a history at auction.
The white piano with its matching bench was discussed twice in this column : it was offered unsuccessfully by Gotta Have Rock and Roll in March 2009 and by Heritage in August 2010. The gold piano received a better achievement at Julien's on 7 November 2015 : it was sold for $ 600K including premium.
The white piano, again with its seat, comes back at Heritage in Beverly Hills on June 25, lot 89492, with an estimate that has become more appealing at $ 600K.
FOR INFORMATION
This instrument got a winning bid of $ 375K on eBay on August 21, 2017.
Note that auctions recorded in this website are only those from licensed auction houses.
The success of Elvis is phenomenal from 1956. In early 1957, he establishes his residence at Graceland, 15 km away from downtown. By a coincidence of date the auditorium is reorganizing its furnishing in the same year. Elvis buys the piano to install it at a choice place in his music room.
The piano comes from Wm. Knabe which is a good brand. Its date of make derived from its serial number is 1912 but nothing is known of its history before the 1930s nor when it entered that auditorium which opened in 1924.
Elvis creates his own style. He wants a white instrument and has repainted this old piano which he will use until 1968. He put it away when Priscilla had plated in gold leaf for their wedding anniversary a Kimball piano purchased by Elvis in 1955.
Both instruments have a history at auction.
The white piano with its matching bench was discussed twice in this column : it was offered unsuccessfully by Gotta Have Rock and Roll in March 2009 and by Heritage in August 2010. The gold piano received a better achievement at Julien's on 7 November 2015 : it was sold for $ 600K including premium.
The white piano, again with its seat, comes back at Heritage in Beverly Hills on June 25, lot 89492, with an estimate that has become more appealing at $ 600K.
FOR INFORMATION
This instrument got a winning bid of $ 375K on eBay on August 21, 2017.
Note that auctions recorded in this website are only those from licensed auction houses.
Could we see a new #Elvis auction record? https://t.co/6TVOpQXFCf pic.twitter.com/jxdAex65I4
— Paul Fraser (@PFCollectibles) May 27, 2016
1913 Wotan, the God of the Dance Halls
2012 SOLD 1.1 M$ including premium
One hundred years ago, cafés-concerts are out of fashion in favor of amusement parks that benefit from new technologies. People enjoy and dance at Coney Island or Niagara Falls.
Bob-Lo was one of these parks. Bob was not Robert! It was a phonetic corruption of Bois Blanc Island, Ontario. In 1913, to attract people of Detroit, the great city on the other side of the river, Bob-Lo opens a dance pavilion of 3200 square meters, one of the largest halls in the world.
For sound, the dance hall of Bob-Lo installs the largest of all the orchestrions, the Wotan model of the German company Welte.
Founded in 1832, Welte was one of the best specialists of mechanical musical instruments, and planned at that time to capture the American market. This effort will be made impossible by the First World War.
The Wotan of Bob-Lo is huge: 4.20 x 4.80 x 1.80 m, with no less than 419 pipes, not to mention bells and drums. Like all machine orchestra of that time, it was neglected for many years. The restoration of the decoration was inspired by the single other surviving Wotan copy.
Star lot of the Milhous collection, this instrument is estimated $ 1.5 million, for sale on February 25 in Boca Raton by RM Auctions in association with Sotheby's.
Bob-Lo was one of these parks. Bob was not Robert! It was a phonetic corruption of Bois Blanc Island, Ontario. In 1913, to attract people of Detroit, the great city on the other side of the river, Bob-Lo opens a dance pavilion of 3200 square meters, one of the largest halls in the world.
For sound, the dance hall of Bob-Lo installs the largest of all the orchestrions, the Wotan model of the German company Welte.
Founded in 1832, Welte was one of the best specialists of mechanical musical instruments, and planned at that time to capture the American market. This effort will be made impossible by the First World War.
The Wotan of Bob-Lo is huge: 4.20 x 4.80 x 1.80 m, with no less than 419 pipes, not to mention bells and drums. Like all machine orchestra of that time, it was neglected for many years. The restoration of the decoration was inspired by the single other surviving Wotan copy.
Star lot of the Milhous collection, this instrument is estimated $ 1.5 million, for sale on February 25 in Boca Raton by RM Auctions in association with Sotheby's.
1924 The F5 Mandolin of Lloyd Loar
2009 unsold
PRE SALE DISCUSSION
The mandolin is a stringed instrument derived from the lute. This instrument played by hand (without bow) was known to accompany the Neapolitan songs, before crossing the Atlantic to the benefit of country music.
In the U.S., Orville Gibson in 1898 patented a new type of mandolin, now recognizable to an asymmetric shape which is visually a forerunner of modern electric guitars. The pioneer did not take advantage of his inventions, but his name remains a symbol of the guitar with the Gibson Mandolin-Guitar Mfg.. Co., Ltd..
Working for this company, Lloyd Loar created the most prestigious model of American mandolin, the F5, with f shaped holes like a violin.
Skinner is auctioning on October 11 in Boston a F5 copy made by Loar for Gibson company in 1924, lot 30. The condition is very good, but it was refinished. The estimate of 70 K$ is reasonable when compared to a brand copy, never played, which would have reached 200 K$ in a private transaction according to Wikipedia (on Lloyd Loar).
The mandolin is a stringed instrument derived from the lute. This instrument played by hand (without bow) was known to accompany the Neapolitan songs, before crossing the Atlantic to the benefit of country music.
In the U.S., Orville Gibson in 1898 patented a new type of mandolin, now recognizable to an asymmetric shape which is visually a forerunner of modern electric guitars. The pioneer did not take advantage of his inventions, but his name remains a symbol of the guitar with the Gibson Mandolin-Guitar Mfg.. Co., Ltd..
Working for this company, Lloyd Loar created the most prestigious model of American mandolin, the F5, with f shaped holes like a violin.
Skinner is auctioning on October 11 in Boston a F5 copy made by Loar for Gibson company in 1924, lot 30. The condition is very good, but it was refinished. The estimate of 70 K$ is reasonable when compared to a brand copy, never played, which would have reached 200 K$ in a private transaction according to Wikipedia (on Lloyd Loar).
1930 The Guitar of the King of Cowboys
2009 SOLD 550 K$ including premium
A few days ago, I took you to consider a piano from Memphis, Tennessee. Do not change of State or time, but only of auction house.
On April 4 in New York, Christie's offers the guitar of Roy Rogers, the King of the Cowboys in Nashville. This small town has been in the last century the undisputed capital of Country Music, relying upon these social facts of the era that were the broadcast and the development of the record industry.
Among these artists, the career of Roy Rogers is one of the longest and most successful.
The instrument for sale is the one he used regularly. This guitar of professional quality was the model OM-45 Deluxe that C. F. Martin and Co had built in 15 copies in 1930. It was acquired by Roy before 1933, when our hero was still Leonard Franklin Slye (a name difficult to bear for a cowboy singer, you will agree).
To give you a chance to extend the glory of Roy Rogers, prepare 150 K $.
POST SALE COMMENT
This instrument has unique characteristics, including its origin. The result is very high: K $ 550 premium included.
On April 4 in New York, Christie's offers the guitar of Roy Rogers, the King of the Cowboys in Nashville. This small town has been in the last century the undisputed capital of Country Music, relying upon these social facts of the era that were the broadcast and the development of the record industry.
Among these artists, the career of Roy Rogers is one of the longest and most successful.
The instrument for sale is the one he used regularly. This guitar of professional quality was the model OM-45 Deluxe that C. F. Martin and Co had built in 15 copies in 1930. It was acquired by Roy before 1933, when our hero was still Leonard Franklin Slye (a name difficult to bear for a cowboy singer, you will agree).
To give you a chance to extend the glory of Roy Rogers, prepare 150 K $.
POST SALE COMMENT
This instrument has unique characteristics, including its origin. The result is very high: K $ 550 premium included.
1933 Music for the Normandie
2013 unsold
PRE SALE DISCUSSION
While crossing the Atlantic, wealthy passengers are idle. They like to sit in the luxurious atmosphere of the comfortable lounges of the liners.
In the heyday of the Art Déco style, the works of Ruhlmann, Dupas and Dunand obviously interested the Compagnie Générale Transatlantique. In 1933, the preparation of the Normandie is already well advanced at the time of the sudden death of Ruhlmann. Alfred Porteneuve will realize some furniture designed by his uncle for this project.
Since the time of Art Nouveau, the great cabinetmakers like Linke, Majorelle or Ruhlmann have made pianos. Luckily, a grand piano made by Ruhlmann was still available. It will decorate the petits salons of the Normandie up to the premature liquidation of the liner at the beginning of the war.
On a mechanism by Gaveau, this piece is in macassar ebony and painted oak with inlaid walnut and ivory. It wasrealized at an unidentified date on a model introduced in 1925.
It is estimated $ 400K, for sale by Sotheby's in New York on March 6. Here is the link to the catalog.
While crossing the Atlantic, wealthy passengers are idle. They like to sit in the luxurious atmosphere of the comfortable lounges of the liners.
In the heyday of the Art Déco style, the works of Ruhlmann, Dupas and Dunand obviously interested the Compagnie Générale Transatlantique. In 1933, the preparation of the Normandie is already well advanced at the time of the sudden death of Ruhlmann. Alfred Porteneuve will realize some furniture designed by his uncle for this project.
Since the time of Art Nouveau, the great cabinetmakers like Linke, Majorelle or Ruhlmann have made pianos. Luckily, a grand piano made by Ruhlmann was still available. It will decorate the petits salons of the Normandie up to the premature liquidation of the liner at the beginning of the war.
On a mechanism by Gaveau, this piece is in macassar ebony and painted oak with inlaid walnut and ivory. It wasrealized at an unidentified date on a model introduced in 1925.
It is estimated $ 400K, for sale by Sotheby's in New York on March 6. Here is the link to the catalog.
1941 Martin Guitars
2011 SOLD 220 K$ including premium
PRE SALE DISCUSSION
The CF Martin & Co company specializes in guitars since its inception in 1833. Their instruments have reached a high level of perfection, as shown by the sale at $ 550K including premium at Christie's on April 4, 2009 of a Martin OR-45DeLuxe which had been acquired in 1933 by Roy Rogers.
The other cowboy singing star, Gene Autry, was among the first users of the D-45, a professional model that was builtin less than 100 copies between 1933 and 1942. This guitar was large, which promotes its usage in show, and yetlight and powerful in sound, which is an undeniable technical achievement.
A Martin D-45 is for sale by Skinner in Boston on November 6. Made in 1941 and kept in the family of its first owner, it has never been performed on stage and is in very good condition with its original patina.
This instrument is estimated $ 180K, and illustrated in the blog of the auction house.
POST SALE COMMENT
This interesting guitar was sold $ 185K before fees, 220K including premium.
The CF Martin & Co company specializes in guitars since its inception in 1833. Their instruments have reached a high level of perfection, as shown by the sale at $ 550K including premium at Christie's on April 4, 2009 of a Martin OR-45DeLuxe which had been acquired in 1933 by Roy Rogers.
The other cowboy singing star, Gene Autry, was among the first users of the D-45, a professional model that was builtin less than 100 copies between 1933 and 1942. This guitar was large, which promotes its usage in show, and yetlight and powerful in sound, which is an undeniable technical achievement.
A Martin D-45 is for sale by Skinner in Boston on November 6. Made in 1941 and kept in the family of its first owner, it has never been performed on stage and is in very good condition with its original patina.
This instrument is estimated $ 180K, and illustrated in the blog of the auction house.
POST SALE COMMENT
This interesting guitar was sold $ 185K before fees, 220K including premium.
1942 The Retrieved Tempo of Casablanca
2012 SOLD 600 K$ including premium
Casablanca, released in 1942, is a romantic film of that period : the adventures of the couple are directed and disrupted by the war. The varied music assembled by Max Steiner also plays an important role in the atmosphere of this film, still regarded today as one of the greatest movies of all time.
Humphrey Bogart and Ingrid Bergman meet in a Parisian café. The pianist sings 'As time goes by', fascinating and encouraging these two young people.
The second act takes place in 1982. A collector cleans a recently purchased piano. He had felt it right : he actually rediscovered the instrument of the Parisian scene of Casablanca. This 58 keys piano made by Richardson's in Los Angeles bears an inventory reference from Warner Bros.
In the third act in 1988, Sotheby's sells the piano for $ 154K, a very good price at that time for a movie prop. David Redden holds the hammer.
24 years later, the same scene is replayed. Redden will again offer this piano, now estimated $ 800K, on December 14 at Sotheby's in New York.
The Parisian café scene is one of the most iconic in film history. In 1982, a violin pays the funeral tribute to Ingrid Bergman by playing for her for the last time the melody of 'As time goes by'.
I invite you to play the video shared by CBS News.
POST SALE COMMENT
Good price for this small piano, $ 600K including premium, but well below the expectations of the auction house.
Humphrey Bogart and Ingrid Bergman meet in a Parisian café. The pianist sings 'As time goes by', fascinating and encouraging these two young people.
The second act takes place in 1982. A collector cleans a recently purchased piano. He had felt it right : he actually rediscovered the instrument of the Parisian scene of Casablanca. This 58 keys piano made by Richardson's in Los Angeles bears an inventory reference from Warner Bros.
In the third act in 1988, Sotheby's sells the piano for $ 154K, a very good price at that time for a movie prop. David Redden holds the hammer.
24 years later, the same scene is replayed. Redden will again offer this piano, now estimated $ 800K, on December 14 at Sotheby's in New York.
The Parisian café scene is one of the most iconic in film history. In 1982, a violin pays the funeral tribute to Ingrid Bergman by playing for her for the last time the melody of 'As time goes by'.
I invite you to play the video shared by CBS News.
POST SALE COMMENT
Good price for this small piano, $ 600K including premium, but well below the expectations of the auction house.
1954 The White Stratocaster by Fender
2019 SOLD for $ 1.8M by Christie's
Leo Fender never played guitar. He was an electronics and sound specialist, and repaired radios. They were talking a lot in his shop in Southern California, and he was attentive to the needs of the country music.
Fender was not the first to consider a solid-body electric guitar, but he discovered by chance during a test that such an instrument had unprecedented sonic characteristics. He releases his first models : the Esquire in 1949 with a single microphone, the Telecaster in 1950 with two microphones, the Stratocaster in 1954 with three microphones. He is also in 1951 the inventor of the bass guitar.
The Stratocaster thus incorporates the improvements requested by performers, not only for sound but also for ease of use : its shape, specially adapted to the position of the body of the player, has become the archetype of the electric guitar.
The production of the Stratocaster begins slowly, with about ten prototypes plus a pre-series for marketing and user feedback.
The standard color for Fender guitars is sunburst, a yellowish gradient, but some instruments had other colors on request. In the mid-1970s, a guitarist brought to a workshop in Santa Barbara a white Strat that he wanted to have repainted. The specialist is competent : he understands that he has a pre-production Stratocaster in his hands. Its serial number 0001 is however not significant. He keeps the white guitar which he exchanges for another Strat in the color requested by the client.
David Gilmour bought this 0001 in 1978. Its sound has the quality of the very first Stratocasters. He commented: "This is about as perfect as a guitar can be". He will play it very frequently with the Pink Floyd, including on recording but very rarely on stage to avoid damaging this historic instrument. It was sold for $ 1.8M by Christie's on June 20, 2019 in the auction of the Gilmour collection, lot 20.
Fender was not the first to consider a solid-body electric guitar, but he discovered by chance during a test that such an instrument had unprecedented sonic characteristics. He releases his first models : the Esquire in 1949 with a single microphone, the Telecaster in 1950 with two microphones, the Stratocaster in 1954 with three microphones. He is also in 1951 the inventor of the bass guitar.
The Stratocaster thus incorporates the improvements requested by performers, not only for sound but also for ease of use : its shape, specially adapted to the position of the body of the player, has become the archetype of the electric guitar.
The production of the Stratocaster begins slowly, with about ten prototypes plus a pre-series for marketing and user feedback.
The standard color for Fender guitars is sunburst, a yellowish gradient, but some instruments had other colors on request. In the mid-1970s, a guitarist brought to a workshop in Santa Barbara a white Strat that he wanted to have repainted. The specialist is competent : he understands that he has a pre-production Stratocaster in his hands. Its serial number 0001 is however not significant. He keeps the white guitar which he exchanges for another Strat in the color requested by the client.
David Gilmour bought this 0001 in 1978. Its sound has the quality of the very first Stratocasters. He commented: "This is about as perfect as a guitar can be". He will play it very frequently with the Pink Floyd, including on recording but very rarely on stage to avoid damaging this historic instrument. It was sold for $ 1.8M by Christie's on June 20, 2019 in the auction of the Gilmour collection, lot 20.
1954 Les Paul's Guitar at TV Show
2015 SOLD for $ 335K including premium
The radio allows a wide dissemination of music and creates new needs and skills. Les Paul, altogether a musician and an electrician, is one of these pioneers. In 1950, he starts on NBC the Les Paul Show, which is a great success.
The instrument manufacturers feel the need to offer new products. Fender is the pioneer of electric music, soon followed by the Gibson Guitar Corporation. Gibson is looking for a headliner for this development and signs a commercial contract with Les Paul in 1952.
Paul is demanding. He wants new sounds and does not accept the disadvantages of electricity including feedback. Furthermore, the television becomes popular. To avoid confusing the public, the new instrument should look like an acoustic guitar. The manufacturer also requires that the guitar is designed to enable mass production.
In 1954, the Gibson Les Paul Custom in a solid body meets such needs. The prototype, which was later nicknamed Black Beauty, is delivered to Les Paul who will use it for more than twenty years while experimenting on it many improvements. It has been carefully restored by the luthier Tom Doyle, its current owner.
Black Beauty will be sold on February 19 in New York by Guernsey's, lot 17 in the catalog shared by LiveAuctioneers.
The transfer of the Les Paul and Mary Ford Show to TV from 1954 paves the way for the cultural revolution of rock and roll.
I invite you to play the video shared by Tom Doyle in 2014 on YouTube to tell the history and demonstrate the engineering and quality of the Black Beauty.
The instrument manufacturers feel the need to offer new products. Fender is the pioneer of electric music, soon followed by the Gibson Guitar Corporation. Gibson is looking for a headliner for this development and signs a commercial contract with Les Paul in 1952.
Paul is demanding. He wants new sounds and does not accept the disadvantages of electricity including feedback. Furthermore, the television becomes popular. To avoid confusing the public, the new instrument should look like an acoustic guitar. The manufacturer also requires that the guitar is designed to enable mass production.
In 1954, the Gibson Les Paul Custom in a solid body meets such needs. The prototype, which was later nicknamed Black Beauty, is delivered to Les Paul who will use it for more than twenty years while experimenting on it many improvements. It has been carefully restored by the luthier Tom Doyle, its current owner.
Black Beauty will be sold on February 19 in New York by Guernsey's, lot 17 in the catalog shared by LiveAuctioneers.
The transfer of the Les Paul and Mary Ford Show to TV from 1954 paves the way for the cultural revolution of rock and roll.
I invite you to play the video shared by Tom Doyle in 2014 on YouTube to tell the history and demonstrate the engineering and quality of the Black Beauty.
1956 a prototype by gretsch for chet atkins
2015 unsold
While Les Paul was introducing the electric guitar for the large audiences of radio and television, his colleague Chet Atkins developed the country music in Nashville, Tennessee. Atkins was a virtuoso known for the exceptional agility of his fingers.
The Les Paul guitar models managed by Gibson gave to Gretsch the idea to offer Atkins to use his name. Gretsch has the same objectives as its competitor: improve the sound, remove the feedback, prepare mass production.
The first Gretsch 6120 model using the name of Chet Atkins is still a hollow guitar. An improvement is made with the sealed top 6120, an intermediate model toward the solid body 6121.
Two sealed top prototypes are made by Gretsch for the use of Atkins. The first one, heavy and unwieldy, is not suitable. The second, executed in 1956, solves this anomaly while remaining very thick but it pleases the virtuoso who will frequently use it until the end of the decade.
This second sealed top prototype nicknamed Dark Eyes is black to better establish the comparison with the Black Beauty of Gibson and Les Paul. The two instruments, both coming from the collection of the luthier Tom Doyle, are for sale by Guernsey's in New York on 19 February. Dark Eyes is lot 16 in the catalog of the bidding platform LiveAuctioneers.
I invite you to play the video shared in 2013 by Tom Doyle on YouTube to tell the importance of Dark Eyes in the history of the guitar.
The Les Paul guitar models managed by Gibson gave to Gretsch the idea to offer Atkins to use his name. Gretsch has the same objectives as its competitor: improve the sound, remove the feedback, prepare mass production.
The first Gretsch 6120 model using the name of Chet Atkins is still a hollow guitar. An improvement is made with the sealed top 6120, an intermediate model toward the solid body 6121.
Two sealed top prototypes are made by Gretsch for the use of Atkins. The first one, heavy and unwieldy, is not suitable. The second, executed in 1956, solves this anomaly while remaining very thick but it pleases the virtuoso who will frequently use it until the end of the decade.
This second sealed top prototype nicknamed Dark Eyes is black to better establish the comparison with the Black Beauty of Gibson and Les Paul. The two instruments, both coming from the collection of the luthier Tom Doyle, are for sale by Guernsey's in New York on 19 February. Dark Eyes is lot 16 in the catalog of the bidding platform LiveAuctioneers.
I invite you to play the video shared in 2013 by Tom Doyle on YouTube to tell the importance of Dark Eyes in the history of the guitar.
(1964)-1965 The Fender Stratocaster of Bob Dylan
2013 SOLD for $ 965K by Christie's
In 1965, Bob Dylan is 24 years old and has a lot of musical ambitions. He had met the Beatles in the previous year and their mutual influence will be considerable. To get a sustainable favor from the young public, he must be bold.
Dylan's strategy at the Folk Festival in Newport RI on July 25 is winning. Spectators were waiting for his acoustic guitar and his harmonica. Without warning, he began singing with an electric guitar. Dylan insists despite being booed, before coming back to comfort his friends again with his classical guitar.
Both types of instruments have a similar shape conducive to puzzle such a neophyte public, but the comparison stops here. His electric guitar is a solid body instrument without sounding case, a Fender Stratocaster model made in 1964.
The Fender Stratocaster was soon abandoned or simply lost in a private plane. When it surfaced again two years ago, it was unquestionably authenticated as the instrument of this clash of cultures in Newport that had paved the way for the era of rock and roll, offering more varied musical possibilities than the folk.
This iconic instrument was sold for $ 965K from a lower estimate of $ 300K by Christie's on December 6, 2013, lot 6.
Dylan's strategy at the Folk Festival in Newport RI on July 25 is winning. Spectators were waiting for his acoustic guitar and his harmonica. Without warning, he began singing with an electric guitar. Dylan insists despite being booed, before coming back to comfort his friends again with his classical guitar.
Both types of instruments have a similar shape conducive to puzzle such a neophyte public, but the comparison stops here. His electric guitar is a solid body instrument without sounding case, a Fender Stratocaster model made in 1964.
The Fender Stratocaster was soon abandoned or simply lost in a private plane. When it surfaced again two years ago, it was unquestionably authenticated as the instrument of this clash of cultures in Newport that had paved the way for the era of rock and roll, offering more varied musical possibilities than the folk.
This iconic instrument was sold for $ 965K from a lower estimate of $ 300K by Christie's on December 6, 2013, lot 6.
1965 The Electric Tour of Bob Dylan
2018 SOLD for $ 490K including premium
The reciprocal influence of Bob Dylan and The Beatles is bearing fruit. Rock and roll succeeds folk and blues, and the electric guitar supersedes the acoustic guitar.
Dylan is going forward at full speed. At Newport on July 25, 1965 the audience was coming to hear soft music. They are outraged by the electric music of Dylan who at only 24 years old was one of the most anticipated stars of that folk festival.
This provocation was premeditated. Five days earlier Like a rolling stone had been released as a single. The performance is however improvised with a band of accompaniment musicians formed at the very last minute with a few friends. The technique does not follow and the sound quality is dismal.
Nothing stops Dylan who is now the great traitor of the folk, but he must manage more professionally for preparing his Electric Tour that will ensure the success of his new style around the world. The group The Hawks is selected to accompany him.
Robbie Robertson, guitarist of The Hawks, easily convinces Dylan that the Fender Stratocaster he played in Newport is not suitable for a project of this magnitude. This model is too heavy and too likely to go out of tune. Throughout his tours from September 1965 to July 1966 Dylan plays a brand new Fender Telecaster owned by Robertson.
This explains why the Stratocaster of his Newport fame no longer interested him. Forgotten in an airplane a few months after Newport, it resurfaced in 2011 and was sold for $ 965K including premium by Christie's on December 6, 2013.
Dylan's career is interrupted by a motorcycle accident and The Hawks becomes The Band. Robertson uses the Telecaster of the Electric Tour in live concerts of The Band including the Woodstock Festival in 1969. His guitar is estimated $ 400K for sale by Julien's in New York on May 19, lot 491. Here is the link to the press release.
Robertson tells in the video shared by Darren Julien that this guitar has remained up to now one of his favorite instruments.
Dylan is going forward at full speed. At Newport on July 25, 1965 the audience was coming to hear soft music. They are outraged by the electric music of Dylan who at only 24 years old was one of the most anticipated stars of that folk festival.
This provocation was premeditated. Five days earlier Like a rolling stone had been released as a single. The performance is however improvised with a band of accompaniment musicians formed at the very last minute with a few friends. The technique does not follow and the sound quality is dismal.
Nothing stops Dylan who is now the great traitor of the folk, but he must manage more professionally for preparing his Electric Tour that will ensure the success of his new style around the world. The group The Hawks is selected to accompany him.
Robbie Robertson, guitarist of The Hawks, easily convinces Dylan that the Fender Stratocaster he played in Newport is not suitable for a project of this magnitude. This model is too heavy and too likely to go out of tune. Throughout his tours from September 1965 to July 1966 Dylan plays a brand new Fender Telecaster owned by Robertson.
This explains why the Stratocaster of his Newport fame no longer interested him. Forgotten in an airplane a few months after Newport, it resurfaced in 2011 and was sold for $ 965K including premium by Christie's on December 6, 2013.
Dylan's career is interrupted by a motorcycle accident and The Hawks becomes The Band. Robertson uses the Telecaster of the Electric Tour in live concerts of The Band including the Woodstock Festival in 1969. His guitar is estimated $ 400K for sale by Julien's in New York on May 19, lot 491. Here is the link to the press release.
Robertson tells in the video shared by Darren Julien that this guitar has remained up to now one of his favorite instruments.
1964 the smile of the bolin piano
2015 unsold
Trained as a cabinetmaker, Georg Bolin specialized in the manufacture of stringed instruments and made several guitars for Andrés Segovia. He wanted to improve the sound and issued a few patents.
His masterpiece is a grand piano. The overtone richness and the modulation capability of this instrument are unique in their kind. The Swedish inventor met his goal to create a piano on which the performer feels to directly access the string when he hits a key.
The first user of the Bolin grand was Bill Evans, in 1964. The great jazz improviser said: "It is one of the most unbelievable instruments I've ever played. I fell in love with it the first time I touched it".
This unique instrument with a very recognizable sound accompanied the greatest songs of ABBA from 1973 to 1977, even inspiring the construction of some of their melodies. It is very present in the videos of that time (Mamma Mia, Waterloo, Dancing Queen) looking like a fifth member of the group when its crystal clear and joyful sound meets the smile of the singers.
The Bolin grand piano now known as ABBA Grand is estimated £ 600K for sale by Sotheby's in London on September 29, lot 37. It is played in Sotheby's London galleries by ABBA's parodic band Björn Again in the video shared by the auction house.
His masterpiece is a grand piano. The overtone richness and the modulation capability of this instrument are unique in their kind. The Swedish inventor met his goal to create a piano on which the performer feels to directly access the string when he hits a key.
The first user of the Bolin grand was Bill Evans, in 1964. The great jazz improviser said: "It is one of the most unbelievable instruments I've ever played. I fell in love with it the first time I touched it".
This unique instrument with a very recognizable sound accompanied the greatest songs of ABBA from 1973 to 1977, even inspiring the construction of some of their melodies. It is very present in the videos of that time (Mamma Mia, Waterloo, Dancing Queen) looking like a fifth member of the group when its crystal clear and joyful sound meets the smile of the singers.
The Bolin grand piano now known as ABBA Grand is estimated £ 600K for sale by Sotheby's in London on September 29, lot 37. It is played in Sotheby's London galleries by ABBA's parodic band Björn Again in the video shared by the auction house.
1872 (mid 1960s) the attic in kenwood
2016 unsold
Fame came very quickly and very high for the Beatles. They must protect their privacy from crazy crowds. In 1964 John Lennon buys Kenwood, a large mock-Tudor home in Weybridge.
John lives for four years in Kenwood with his wife Cynthia and their son Julian born in 1963. Kenwood has an intense life around music and drugs. The Beatles are bored of public concerts and want to perfect their songs which will then be recorded in the studio. The album Sgt. Pepper's Lonely Hearts Club Band, in 1967, is the group's biggest hit.
John loves to write his songs in the attic in Kenwood where he has installed two pianos : one Bechstein and the other by John Broadwood and Sons.
The Broadwood, an upright piano made around 1872, was certainly his favorite piano during the preparation phase of Sgt. Pepper. Before giving it to a friend, John puts a small plaque on it certifying as follows : "On this piano was written: A Day in the Life, Lucy in the Sky with Diamonds, Good Morning, Good Morning, Being for the Benefit of Mr. Kite and Many others, John Lennon, 1971".
John was right, this instrument is part of his legend. When Julian came back from school one evening in 1967 with his famous child drawing designating Lucy, it is easy to imagine John scribbling the first draft of his lyrics before rushing to his Broadwood.
This piano is estimated $ 1.2M for sale by Sotheby's in New York on December 10, lot 75.
John lives for four years in Kenwood with his wife Cynthia and their son Julian born in 1963. Kenwood has an intense life around music and drugs. The Beatles are bored of public concerts and want to perfect their songs which will then be recorded in the studio. The album Sgt. Pepper's Lonely Hearts Club Band, in 1967, is the group's biggest hit.
John loves to write his songs in the attic in Kenwood where he has installed two pianos : one Bechstein and the other by John Broadwood and Sons.
The Broadwood, an upright piano made around 1872, was certainly his favorite piano during the preparation phase of Sgt. Pepper. Before giving it to a friend, John puts a small plaque on it certifying as follows : "On this piano was written: A Day in the Life, Lucy in the Sky with Diamonds, Good Morning, Good Morning, Being for the Benefit of Mr. Kite and Many others, John Lennon, 1971".
John was right, this instrument is part of his legend. When Julian came back from school one evening in 1967 with his famous child drawing designating Lucy, it is easy to imagine John scribbling the first draft of his lyrics before rushing to his Broadwood.
This piano is estimated $ 1.2M for sale by Sotheby's in New York on December 10, lot 75.
1966 A Tailored Guitar for the Blues
2018 SOLD for $ 250K including premium
The first professional guitar of the teenager Stevie Ray Vaughan will be sold on April 15 by Heritage in Dallas, lot 89392. I narrated it as follows before it passed at Julien's in May 2016.
The Vaughan brothers are passionate about the electric guitar. They will soon perform in dance sessions and nightclubs in Dallas. The elder, Jimmie, 15 years old in 1966, owns a 1951 Fender No-caster which he does not use so much. Stevie Ray, 12, borrows the instrument without permission. A compromise is made : Jimmie gives the Fender to his younger brother.
Stevie Ray Vaughan is delighted to have his first professional guitar, which Jimmie had named Jimbo. It does not leave him to the point that his friends say that he carries the instrument glued to his hands. Stevie Ray rebuilds Jimbo to find new tones suited to the blues. He is a musical prodigy highly inspired by Jimi Hendrix.
Stevie Ray uses Jimbo in his first recording in 1969. He is 15 years old. Jimbo does not however accompany him into his fame.
In 1971 the young musician did not appreciate that he is already the best blues guitarist. He wants to imitate his idols, Freddie King and B. B. King, who had chosen the Epiphone make. Stevie Ray is still short of money : he trades the Fender for an Epiphone. He soon understands his mistake but it was too late : the music teacher with whom he made the deal has already got rid of Jimbo.
After a few difficult years Stevie Ray Vaughan comes back to the top in 1989. He would give anything to find Jimbo. He was not to see it again : he was killed in a helicopter crash in the following year when returning from a show where he had co-starred with Eric Clapton.
Please watch the video shared by Heritage.
The Vaughan brothers are passionate about the electric guitar. They will soon perform in dance sessions and nightclubs in Dallas. The elder, Jimmie, 15 years old in 1966, owns a 1951 Fender No-caster which he does not use so much. Stevie Ray, 12, borrows the instrument without permission. A compromise is made : Jimmie gives the Fender to his younger brother.
Stevie Ray Vaughan is delighted to have his first professional guitar, which Jimmie had named Jimbo. It does not leave him to the point that his friends say that he carries the instrument glued to his hands. Stevie Ray rebuilds Jimbo to find new tones suited to the blues. He is a musical prodigy highly inspired by Jimi Hendrix.
Stevie Ray uses Jimbo in his first recording in 1969. He is 15 years old. Jimbo does not however accompany him into his fame.
In 1971 the young musician did not appreciate that he is already the best blues guitarist. He wants to imitate his idols, Freddie King and B. B. King, who had chosen the Epiphone make. Stevie Ray is still short of money : he trades the Fender for an Epiphone. He soon understands his mistake but it was too late : the music teacher with whom he made the deal has already got rid of Jimbo.
After a few difficult years Stevie Ray Vaughan comes back to the top in 1989. He would give anything to find Jimbo. He was not to see it again : he was killed in a helicopter crash in the following year when returning from a show where he had co-starred with Eric Clapton.
Please watch the video shared by Heritage.
1967 Jimi Hendrix burned his Guitar
2008 SOLD 280 K£ including premium
PRE SALE DISCUSSION
The foolish public life of Jimi Hendrix really began in 1967. On March 31, the first day of his tour in England, Jimi decided to conclude his concert by a spectacular happening. Thus he set fire to his guitar with fluid brought to him by his press officer. It was crazy, and Jimi was sent to hospital for burns to the hands. For a musician, it was not really clever, especially in early stage of his tour.
Jimi is a less good incendiary of instruments than Arman, and the guitar remained almost intact, with few visible burns. Now let us inform specialists that it is a Fender Stratocaster of 1965. It was recovered by the press officer, who now put it for sale in London at The Fame Bureau on September 4 . Jimi burned afterwards another guitar, that the fans are starting to look for.
The Fame Bureau is an auction house specializing in the memorabilia of rock and film.
The estimate is not available on the site of the auction house, but the web seems unanimous to announce it at 500 K£. The source of this information seems to be Reuters.
It was also announced in most articles I have seen that the so-called Woodstock Stratocaster guitar used by Hendrix at Woodstock would have been once sold $ 1.8 million at auction.
POST SALE COMMENT
Under the fire of biddings, the temperature of the guitar of Jimi Hendrix rose to £ 280 K. Although this is not clearly indicated, I think this price is out of charge.
£ 500 K was the high estimate. The low estimate had been more reasonable: 250 K £. This difference was justified by the uniqueness of this object, which made it difficult to assess tighter, and this high figure of £ 500 K was an effective way to attract the attention of the press.
The foolish public life of Jimi Hendrix really began in 1967. On March 31, the first day of his tour in England, Jimi decided to conclude his concert by a spectacular happening. Thus he set fire to his guitar with fluid brought to him by his press officer. It was crazy, and Jimi was sent to hospital for burns to the hands. For a musician, it was not really clever, especially in early stage of his tour.
Jimi is a less good incendiary of instruments than Arman, and the guitar remained almost intact, with few visible burns. Now let us inform specialists that it is a Fender Stratocaster of 1965. It was recovered by the press officer, who now put it for sale in London at The Fame Bureau on September 4 . Jimi burned afterwards another guitar, that the fans are starting to look for.
The Fame Bureau is an auction house specializing in the memorabilia of rock and film.
The estimate is not available on the site of the auction house, but the web seems unanimous to announce it at 500 K£. The source of this information seems to be Reuters.
It was also announced in most articles I have seen that the so-called Woodstock Stratocaster guitar used by Hendrix at Woodstock would have been once sold $ 1.8 million at auction.
POST SALE COMMENT
Under the fire of biddings, the temperature of the guitar of Jimi Hendrix rose to £ 280 K. Although this is not clearly indicated, I think this price is out of charge.
£ 500 K was the high estimate. The low estimate had been more reasonable: 250 K £. This difference was justified by the uniqueness of this object, which made it difficult to assess tighter, and this high figure of £ 500 K was an effective way to attract the attention of the press.
(1969)-1971 Acoustic CF Martin of David Gilmour
2019 SOLD for $ 1.1M by Christie's
An acoustic guitar was sold for $ 1.1M by Christie's on June 20, 2019, lot 2.
Made in 1969 by CF Martin, this D-35 guitar had been purchased in 1971 by David Gilmour. It remained his favorite acoustic guitar for Pink Floyd and solo recordings, still used by him for an album in 2015.
Gilmour stated in 2003 in a radio show : "I need to take my guitar with me, my acoustic Martin D-35 guitar, because life is impossible without a guitar".
Made in 1969 by CF Martin, this D-35 guitar had been purchased in 1971 by David Gilmour. It remained his favorite acoustic guitar for Pink Floyd and solo recordings, still used by him for an album in 2015.
Gilmour stated in 2003 in a radio show : "I need to take my guitar with me, my acoustic Martin D-35 guitar, because life is impossible without a guitar".
(1965)-1977 Mosrite Ventures of Johnny Ramone
2021 SOLD for $ 940K by RR Auction
The Ramones was the seminal punk rock group, created in 1974 by four members. It was named after a pseudo used by Paul McCartney for preserving his privacy in the hotels. The four took the fancy name Ramone for their stage name.
The guitarist was Johnny Ramone. He was to be considered as one of the greatest guitarists of all time for a rhythmic style superseding the melody.
Johnny preferred model was the Ventures II in its 'slab body' version, produced by Mosrite in 1965. He owned four of them.
The first one had been stolen in 1977. He replaced it by the unit which was to be his main instrument, used by him until the termination of the band in 1996 for a total of nearly 2,000 shows plus the recordings of 15 albums.
This guitar was sold for $ 940K from a lower estimate of $ 500K by RR Auction on September 25, 2021, lot 9009. Please watch the video shared by the auction house.
The guitarist was Johnny Ramone. He was to be considered as one of the greatest guitarists of all time for a rhythmic style superseding the melody.
Johnny preferred model was the Ventures II in its 'slab body' version, produced by Mosrite in 1965. He owned four of them.
The first one had been stolen in 1977. He replaced it by the unit which was to be his main instrument, used by him until the termination of the band in 1996 for a total of nearly 2,000 shows plus the recordings of 15 albums.
This guitar was sold for $ 940K from a lower estimate of $ 500K by RR Auction on September 25, 2021, lot 9009. Please watch the video shared by the auction house.
1980 Miles in the Stars
2019 SOLD for $ 275k including premium
Miles Davis was one of the very best trumpeters. His repertoire ranged from jazz to pop. He had played with Charlie Parker and John Coltrane, would have liked to accompany Jimi Hendrix and tried remakes of Michael Jackson.
His favorite instruments were the trumpets of the Committee trademark made since 1939 by the Martin Band Instrument Company. Their warm and smooth tone is incomparable to play jazz.
In 1975 Miles Davis, sick and exhausted, interrupts his career. Hope returns in 1980. At this point the Committee has been discontinued for ten years and Leblanc has bought Martin. Commissioned by the musician, Leblanc manages to make three new Martin Committee trumpets.
These bespoke instruments have different tube colors with moons and stars in gilt decoration. The attribution to MILES is inscribed in gold script inside the bell.
The black trumpet was buried beside Miles Davis in a Bronx graveyard. The red unit is kept by the family. The night blue trumpet is estimated $ 70K for sale by Christie's in New York on October 29, lot 1011. Please watch the video shared by the auction house, in which the instrument is played by Keyon Harrold.
A nice anecdote accompanies the receiving of these instruments brought to the musician by the project manager from Leblanc. He had to try the trumpet without waking Cicely Tyson who was sleeping in the next room. For playing muted, Miles pushed the bell in the stomach of his visitor.
In 1981 Miles resumed his career and married Cicely.
His favorite instruments were the trumpets of the Committee trademark made since 1939 by the Martin Band Instrument Company. Their warm and smooth tone is incomparable to play jazz.
In 1975 Miles Davis, sick and exhausted, interrupts his career. Hope returns in 1980. At this point the Committee has been discontinued for ten years and Leblanc has bought Martin. Commissioned by the musician, Leblanc manages to make three new Martin Committee trumpets.
These bespoke instruments have different tube colors with moons and stars in gilt decoration. The attribution to MILES is inscribed in gold script inside the bell.
The black trumpet was buried beside Miles Davis in a Bronx graveyard. The red unit is kept by the family. The night blue trumpet is estimated $ 70K for sale by Christie's in New York on October 29, lot 1011. Please watch the video shared by the auction house, in which the instrument is played by Keyon Harrold.
A nice anecdote accompanies the receiving of these instruments brought to the musician by the project manager from Leblanc. He had to try the trumpet without waking Cicely Tyson who was sleeping in the next room. For playing muted, Miles pushed the bell in the stomach of his visitor.
In 1981 Miles resumed his career and married Cicely.
1984 Cloud for Prince
2020 SOLD for $ 560K including premium
The multi-instrumentalist musician Prince appears in 1983 as the archrival to Michael Jackson. He is preparing the film Purple Rain where he will play the main role.
Prince's favorite instrument is the electric guitar. For the film, he wants an asymmetrical guitar imitating a bass guitar. A team of luthiers working in a Minneapolis shop creates for his needs a new model which will be named the Cloud.
Prince was very happy with this model that Purple Rain will make iconic. In the first phase four Clouds were created, from 1983 to 1985. They were used continuously until 1993 by Prince, who frequently changed the color. In 1993 another luthier, Andy Beech, began a serial production.
Made in 1984, the second Cloud was played by Prince throughout the Purple Rain Tour that followed the release of the movie. It has just resurfaced in electric blue, as Prince left it around 1994 after a heavy use. It has kept its nickname of Blue Angel which refers to its light blue color of 1988.
It is estimated $ 400K for sale by Julien's in Beverly Hills on June 19, lot 386. Please watch the video shared by Rolling Stone News to confirm the importance of this specific instrument.
A Cloud made by Beech for Prince circa 1990 and played on stage by the musician was sold on November 4, 2017 for $ 700K including premium over a lower estimate of $ 60K, also by Julien's.
Prince's favorite instrument is the electric guitar. For the film, he wants an asymmetrical guitar imitating a bass guitar. A team of luthiers working in a Minneapolis shop creates for his needs a new model which will be named the Cloud.
Prince was very happy with this model that Purple Rain will make iconic. In the first phase four Clouds were created, from 1983 to 1985. They were used continuously until 1993 by Prince, who frequently changed the color. In 1993 another luthier, Andy Beech, began a serial production.
Made in 1984, the second Cloud was played by Prince throughout the Purple Rain Tour that followed the release of the movie. It has just resurfaced in electric blue, as Prince left it around 1994 after a heavy use. It has kept its nickname of Blue Angel which refers to its light blue color of 1988.
It is estimated $ 400K for sale by Julien's in Beverly Hills on June 19, lot 386. Please watch the video shared by Rolling Stone News to confirm the importance of this specific instrument.
A Cloud made by Beech for Prince circa 1990 and played on stage by the musician was sold on November 4, 2017 for $ 700K including premium over a lower estimate of $ 60K, also by Julien's.
1985 Hunter Burst of Slash
2023 unsold by Gotta Have Rock and Roll
In a five decade career, the guitarist Steve Hunter was a session veteran, a band member and a solo musician. He acquired at an undefined date a burst guitar in the style of a Gibson Les Paul.
The 20 year old Slash joined the newly created rock and roll band Guns N' Roses in June 1985. In September he purchased the Hunter Burst to a dealer who had just made replaced the pickups by a luthier.
This instrument thus becomes a symbol of the transition of pop music from the glam style of Alice Cooper to the hard rock of Guns N' Roses. Slash parted from it in July 1986 after an extensive use in the nightclubs of Los Angeles. The debut album of Guns N' Roses was released in July 1987.
He acquired in December 1986 in second hand a Gibson Les Paul '59 Derrig replica made by the Hollywood luthier Max Baranet. Another '59 replica was directly sold by Max to Slash in 1987. Baranet had probably also been the maker of the Hunter Burst.
The Hunter Burst is estimated $ 1.5M for sale by Gotta Have Rock and Roll on September 22, 2023, lot 4.
The 20 year old Slash joined the newly created rock and roll band Guns N' Roses in June 1985. In September he purchased the Hunter Burst to a dealer who had just made replaced the pickups by a luthier.
This instrument thus becomes a symbol of the transition of pop music from the glam style of Alice Cooper to the hard rock of Guns N' Roses. Slash parted from it in July 1986 after an extensive use in the nightclubs of Los Angeles. The debut album of Guns N' Roses was released in July 1987.
He acquired in December 1986 in second hand a Gibson Les Paul '59 Derrig replica made by the Hollywood luthier Max Baranet. Another '59 replica was directly sold by Max to Slash in 1987. Baranet had probably also been the maker of the Hunter Burst.
The Hunter Burst is estimated $ 1.5M for sale by Gotta Have Rock and Roll on September 22, 2023, lot 4.
1993 Sky Stang Fender of Kurt Cobain
2023 SOLD for $ 1.6M by Julien's
Kurt Cobain confirmed in 1991 that the Fender Mustang was his favorite model.
In 1993 he placed an order with Fender for ten left-handed Mustangs. The build was entrusted by the brand to their Japanese factory. The first sky blue guitar, designated as Sky Stang, was delivered beside a red Oranj Stang.
Cobain used that Sky Stang all along the final Nirvana touring cycle from October 18, 1993 in Arizona to March 1, 2018 in Munich, promoting their third and last studio album titled In Utero.. It is abundantly photo-matched through its red tortoise shell pickguard. The two further Sky Stang and the Oranj Stang were not used in that tour. In Munich, Kurt's song was poignantly disabled by bronchitis and laryngitis.
Sky Stang I, coming from the collection of Kurt's brother, was sold for $ 1.6M from a lower estimate of $ 1M by Julien's on November 17, 2023, lot 546. The neck finish has play wear. The strings have not been changed after the Munich show. Please watch the video shared by the auction house.
Six guitars had been delivered from that order or ten, terminated after Kurt was found dead on April 8, 1994. Sky Stang III was sold for $ 340K by Julien's on October 25, 2019, lot 587.
In 1993 he placed an order with Fender for ten left-handed Mustangs. The build was entrusted by the brand to their Japanese factory. The first sky blue guitar, designated as Sky Stang, was delivered beside a red Oranj Stang.
Cobain used that Sky Stang all along the final Nirvana touring cycle from October 18, 1993 in Arizona to March 1, 2018 in Munich, promoting their third and last studio album titled In Utero.. It is abundantly photo-matched through its red tortoise shell pickguard. The two further Sky Stang and the Oranj Stang were not used in that tour. In Munich, Kurt's song was poignantly disabled by bronchitis and laryngitis.
Sky Stang I, coming from the collection of Kurt's brother, was sold for $ 1.6M from a lower estimate of $ 1M by Julien's on November 17, 2023, lot 546. The neck finish has play wear. The strings have not been changed after the Munich show. Please watch the video shared by the auction house.
Six guitars had been delivered from that order or ten, terminated after Kurt was found dead on April 8, 1994. Sky Stang III was sold for $ 340K by Julien's on October 25, 2019, lot 587.
